Jola Andura Fotografia: Reflections in Blue
Text: VIONNE Magazine | Photographer: Jola Andura | Model: Magdalena Dziama
Accessory Designer: Donata Marczak | Stylist: Metka Z Paryża
Makeup Artist: Żaneta Baran | Fashion Designer: Izabela Michalczak
A Visual Poem in Motionless Light
In Reflections in Blue, photographer Jola Andura and her creative team craft a strikingly poetic vision — one that lives between light and shadow, silence and expression. Bathed in deep blue hues and fluid projections, model Magdalena Dziama inhabits a world where every glance and gesture is sculpted by reflection and emotion.
This editorial is an exploration of femininity that is both grounded and mirage-like, strong and inward-looking. Each image is framed with quiet intention — capturing an atmosphere where time seems suspended, and where fashion transforms into both shield and signal. Designed by Izabela Michalczak and styled by Metka Z Paryża, the looks act as second skin: elegant, expressive, and intimately symbolic. The finishing touch comes from Donata Marczak’s accessories and Żaneta Baran’s nuanced makeup, enhancing the serene, surreal mood.
At the heart of it all is Jola’s vision: to create stillness that speaks, and light that listens. This is not just fashion — it’s meditation in motion.
Interview with Jola Andura
VIONNE: “Reflections in Blue” feels like a visual poem — subtle, stylized, and emotional. How did you guide the team to bring out this atmosphere while keeping it minimal and refined?
Jola: From the very beginning, I wanted to create a sense of silence and focus — both visually and emotionally. Instead of relying on props or expressive gestures, I chose simplicity and mindfulness. The team worked in a calm, unhurried rhythm, without pressure, allowing the model to enter a state of inner presence. For me, minimalism was not a limitation, but a space where emotions could emerge naturally and subtly.
VIONNE: Light plays such a leading role in this series. Can you tell us more about the process of working with water-like projections and reflective materials?
Jola: I treated light as the main character of the story. The water-like projections were meant to evoke a sense of fluidity, change, and reflection — both literal and symbolic. Working with reflective surfaces was very intuitive; I responded to how the light moved across the skin and fabrics. Rather than controlling it, I allowed the light to guide the frame, resulting in a soft, organic atmosphere.
VIONNE: Fashion here feels symbolic — both protective and expressive. What role did the styling and accessories play in shaping the narrative of this shoot?
Jola: The styling was intentionally restrained, yet meaningful. Fabrics, silhouettes, and accessories were chosen to function like a second skin — something that protects while allowing expression. I wanted fashion to coexist with emotion and light, rather than dominate the image. In this way, styling became part of a narrative about gentle strength, intimacy, and inner transformation.